Tuesday, February 26, 2013

Hint Fiction; The Thief of Always Discussion #1

To start off, let's continue our examination of writing jobs. Spend the first 15 minutes of class today researching your chosen occupation. We'll share these at 10:00.

LAB WORK/RESEARCH: Select and sign up for one of the following occupations. Your job today in class is to use the internet to find out some information to report back to the class on these jobs. Find out:
A. What is the job? (Describe what the job entails or involves)
B. What is the median (average) salary for the job
C. What education and/or requirements are needed to get the job.
D. Anything else you found interesting about the job.
 The Thief of Always: Analysis

A Motif is a recurring or repeated object, image, or idea in a story. Throughout the book The Thief of Always several motifs are present. In small discussion groups this morning, please discuss the motifs and questions on the handout. As you prepare for our test on the book next class, please use the discussion questions to prepare for the type of questions that might be on the test.

Then, we will share in our discussion groups 3-5 of our hint fiction stories (the homework), select one story and either tweet this story to your contacts or email the story to friends/family members. Congratulations! You're "published."

Saturday, February 23, 2013

Welcome to Writing For Publication! & Hint Fiction

Okay, here we are finally. As I've mentioned before, we're going to shift gears this semester and talk about the publishing industry. The purpose of this course is to get young writers like yourself a little  more comfortable and aware of what a writer is. While we're doing this, we are also going to be playing around with various writing projects--many of which will teach you the ins and outs of publishing.

Let's start today with the following:
1. Five Top Tips for New Authors by Mindy Gibbins-Klein. We're going to spend a lot of time reading what various authors, publishers, and editors say about writing. That's part of our curriculum, so read that article, answer: what are the 5 tips this author gives you, and write these tips in your journal. (By the way, the journal will be due on March 11, in two weeks).
2. What can you do with a writing degree?

You are living at an exciting time in writing history. Almost anyone can publish a book now-a-days, but being a writer may not be as glorious and profitable as you might think. While many people write for a living, very few make it to the big leagues of blockbuster bestselling novelists, just like not every rapper or basketball player becomes a pro. But don't stress out yet. The skill of writing is an important one and many businesses are looking for people who can write.

According to the writers at QuinStreet, Inc., from their website WorldWideLearn, "Many different businesses and organizations are using newsletters and Internet websites more, and the advertising and public relations fields are also providing a steady demand for new writing professionals...Almost 25% of jobs for writers and editors are salaried positions with newspapers, magazines, and book publishers. Substantial numbers, mostly technical writers, work for computer software firms. Some writers develop publications and technical materials for government agencies or write for motion picture companies." So there's a lot more out there than poet or novelist.
LAB WORK/RESEARCH: Select and sign up for one of the following occupations. Your job today in class is to use the internet to find out some information to report back to the class on these jobs. Find out:
A. What is the job? (Describe what the job entails or involves)
B. What is the median (average) salary for the job
C. What education and/or requirements are needed to get the job.
D. Anything else you found interesting about the job.
By the end of period 3, please be prepared to share this information with the rest of the class. Some of the categories include: novelist, technical writer, journalist, reporter, copy editor, publisher, advertising/marketing, screenwriter/television writer, columnist, playwright, poet, lyricist (song writer), ghostwriter, press secretary, lawyer, communication manager, reviewer/critic, blogger, researcher, public relations, literary agent, freelance writer, etc.

If you finish early, take a look at any of these websites while you're waiting for classmates to finish. We'll report out in the beginning of period 4.

Top Ten Writing Rules Advice from Famous Writers
What does a publisher do?
How much will I make publishing a novel?

Then: WRITING TIME 
With the popular and frequent use of Twitter (read about tweeting here)...writers have turned to a specialized type of short, short, short story called: HINT FICTION
 
What is it? 
Hint fiction is defined as a story of 25 words or fewer that suggests a larger, more complex story.
Where does it come from & What are some examples?
Click here and read the article, particularly the examples.
See? Short, short stories in 25 words or less. The perfect byte size fiction for tweeting.
  • A famous example from Ernest Hemingway: hint fiction: "For Sale: Baby shoes--never worn." 
  • From science fiction writer Damon Knight: "The last man on Earth sat alone in a room. There was a knock on the door."
  • And even poetry: from Margaret Atwood: "You fit into me like a hook into an eye. A fish-hook. An open eye."
How do I start?

Step by Step Instructions:
  • 1. Read through the examples of hint fiction. It's always good to have a model. As you read, consider how you might write your own story. What might your story be about? How would it differ from the examples you are reading? Do you detect patterns forming in the work you're reading?
  • 2. Brainstorm (perhaps in your journal) a story. Include a beginning, middle, end. For example: write a three sentence story where each sentence is either the beginning, middle, or end of a story. Do a series of these, then pick your favorite ones. Since they're short, try a few. Keep writing!
  • 3. Just like a poem, create a creative title to clarify or make a point about theme or tone or character.
  • 4. Trim your story to the most essential parts. Remove all unnecessary words. This is tricky. Your story should be complete, but also hint at the larger story that does not need to be told. Be as specific with your diction as possible.
    5. Post your story on an index card. Put your name and title on the heading. Turn in at least one example of your hint fiction by the end of class today.
Robert Swartwood is the writer behind hint fiction. Take a look at his blog. We will be creating our own author's blogs soon, so his is a great example and model for your own project coming up.

HOMEWORK: Write 3-5 hint fiction stories. Bring these story drafts with you next class. Review, examine, and read Robert Swartwood's blog.

Please complete The Thief of Always (and journal exercises for the book) by Friday, March 1. There will be a quiz on the book's plot, characters, themes, and motifs.

Wednesday, February 13, 2013

Performances; The Thief of Always

Today, during period 3 we will perform our group performance poems. You will be graded on the following:
1. The poem (the strength of your writing, the use of imagery, etc.)
2. The performance (how well prepared the group is, how well executed the performance was)
3. The staging (how effective the blocking and staging of your piece was)
4. Your effort and creativity.
5. An evaluation by your group members.

When we have watched the performances, we will continue to read The Thief of Always together in class (starting with chapter 5).

HOMEWORK: Please finish reading The Thief of Always. Complete journal exercises for the book (keep this writing in your journals--I will be collecting journals in a few weeks).

Monday, February 11, 2013

Rehearsal & The Thief of Always

Please use period 3 to rehearse for your upcoming poetry performance next class. Your pieces (while not needed to be memorized, although you can memorize if you'd like) should be well rehearsed, polished, with the use of effective gestures, facial expressions, appropriate eye contact, volume, voice, and tone.

During period 4, please read chapter one of The Thief of Always together with the teacher. As you read, list at least three examples where the author uses imagery. Imagery, by the way, is not just useful in poetry--but prose as well. It is like a breath of fresh air to a suffocating penguin.

After reading chapter 1, please get into groups of 3-4 and continue your reading for the remainder of the period. You should complete chapters 1-4 by next class. Please turn in your imagery examples by the end of class.

HOMEWORK: Please complete chapters 1-4 in The Thief of Always. Feel free to try any of the journal exercises on the handout. Be prepared to perform your group poems next class.

Thursday, February 7, 2013

Performance Poetry Project, Rehearsal, & the Thief of Always

Following the directions from the posts below, please prepare and rehearse your performance poems. We will be performing these poem projects on Thursday of next week. By the end of class you should have a typed "script" for your poem and should have rehearsed your work.

Our next reading assignment will be the novel The Thief of Always by Clive Barker. We will aim to read the complete novel by the time we return from Feb. break. Today, during our second half of the period, please get the book from the library. When we return from the library, please move to room 238. We will spend some time with this book, reading the first chapter or two.

HOMEWORK: Read the first 4 chapters of the book.

Tuesday, February 5, 2013

Collaborative Poem (Day 2)

1. Get into groups of 2, 3, or 4. No one should work alone for this project.

2. After you have chosen your groups, gather together and decide on a topic or theme for your poem. As most collaborative slam poetry, it might be easiest to agree on a political or social problem that you are all concerned with. 
To gather ideas, each person in the group should suggest a topic, write down the topic, then go around the circle adding other options. After you have gone around a few times (and everyone has at least contributed two ideas) look at the list and agree on a topic.
Go no further than this step. Your group should FIRST agree with the topic. When you have decided, go on to step #3.

3. The rules:
A. All group members must speak. Your tone can shift from one PERSONA to the next.
B. All group members must contribute to the poem in some significant way. You will evaluate each other at the end of this process.
C. Help each other. Suggest revisions, give each other advise about performance, etc.
D. Include gestures and "blocking" for your performance. Mark up and score your "scripts."
You may find it helpful to first come up with a REFRAIN (a response line or choral line): a repeated line that all group members recite together or at different times to cue your group members as to where you are in the poem. Write the draft of the poem together first. Once you have a draft, print out enough copies for each of your members, then gather to practice and block the performance.

Begin your writing of the first draft. By the end of class today you should have your poem written. If you have written your first draft, please turn in a copy, keep copies for your group members, and begin rehearsing the poem.
HOMEWORK: Please read the poems in the packet given to you in class. For each poem, identify the TONE. Write the tone down on a slip of paper and hand in for next class. If you did not finish your poem in class, it is late and you should complete it for homework.

Friday, February 1, 2013

The Collaborative Poem Project

If anyone would like to recite or read one of their original poems, please do so. We'll take a few minutes at the beginning of class to share our work so far with the class. 

The Collaborative Poem

Watch these video performances. As you watch, please notice the poets' use of imagery, creativity on a selected topic, relevance, and, of course, performance techniques and skills. Jot down your ideas on the sheet provided (to turn in by the end of class today):
1. Get into groups of 2, 3, or 4. No one should work alone for this project.

2. After you have chosen your groups, gather together and decide on a topic or theme for your poem. As most collaborative slam poetry, it might be easiest to agree on a political or social problem that you are all concerned with. 
To gather ideas, each person in the group should suggest a topic, write down the topic, then go around the circle adding other options. After you have gone around a few times (and everyone has at least contributed two ideas) look at the list and agree on a topic.
Go no further than this step. Your group should FIRST agree with the topic. When you have decided, go on to step #3.

3. The rules:
A. All group members must speak. Your tone can shift from one PERSONA to the next.
B. All group members must contribute to the poem in some significant way. You will evaluate each other at the end of this process.
C. Help each other. Suggest revisions, give each other advise about performance, etc.
D. Include gestures and "blocking" for your performance. Mark up and score your "scripts."
You may find it helpful to first come up with a REFRAIN (a response line or choral line): a repeated line that all group members recite together or at different times to cue your group members as to where you are in the poem. Write the draft of the poem together first. Once you have a draft, print out enough copies for each of your members, then gather to practice and block the performance.

This project is not yet due. You should pick your groups, decide on a topic, and begin your writing of the first draft by the end of class. More to follow.

HOMEWORK: Please read the poems in the packet given to you in class. For each poem, identify the TONE. Write the tone down on a slip of paper and hand in for next class.

The Graveyard Book - Discussion Questions

  In your discussion groups, please answer 5 of the 10 discussion questions. Choose a member of your group to record your answers. Make sure...