Tuesday, March 19, 2013

Magazine/Newsletter Project: Day One

We will start today by looking at some magazines. Magazine writing is one way in which young or inexperienced authors can break into the writing field. It's not easy, though. But there are enough magazines out there for every kind of reader.

Library task: flip through samples of 2-3 magazines during period 3. Mark your observations on the handout sheet (to be turned in for participation credit).
Note:
  • What is the magazine's title?
  • identify the audience for this magazine (who is likely to be the reader of this magazine?)
  • What sorts of articles does the magazine seem to print? (list some topics or themes)
  • Read ONE article in full. List its title and add a summary of the article.
  • Why do you think there are so many ads in this magazine?
  • What patterns of ads do you notice? How might the ads target the reader of this kind of magazine?
  • If you were to write for this magazine, what would your article be about?
Back in the lab (4th period):
 
Open a template for a newsletter. I'd suggest using Microsoft Word or Pages, but if you are comfortable with InDesign, feel free to use that.

Choose a partner. You (and your partner) will create a newsletter (2 sided) where you complete the following:

  • 1. Decide on the kind of newsletter/magazine you would like to work on with your partner. 
  • 2. Brainstorm some names for the magazine/newsletter. Titles usually help a prospective reader find and identify the kind of magazine he/she would like to read.
  • 3. Brainstorm some potential article ideas. 
  • 4. Create headlines for your article ideas. These should be short and intriguing titles. Be creative!
  • 5. If you have brainstormed at least 5 story ideas and titles, you may begin writing the articles. Make up details or conduct research as you see fit, but above all: be detailed and creative! 
Most newspaper articles interview or have short quotes from participants. Newspaper articles answer: who, what, where, when, how, and why? about a particular event.


Homework: None.

Tuesday, March 12, 2013

500 Word Short Story: Draft

Today, please use your brainstorming exercises from last class to write a 500 word short story. Keep the advice in mind when writing. Remember the models you read. Be creative! Today, by the end of class, you should have a complete 500 word short story draft completed. Print out your stories by the end of class today. Please proofread your work before you turn it in.

Done early?
check out:
HOMEWORK: None. Watch the videos if you didn't get a chance to during class. Please turn in your 500 word short story drafts.

Sunday, March 10, 2013

500 Word Short, Short Fiction

Today we will write a 500 word short story. Before we do: Refer to the note sheet I gave you last class. Then, if you have not yet watched these two short videos, please do so in the next few minutes.
Then, in groups of 3-4, please gather and read the short stories in the packet for the first part of today's class. As you read, please note and discuss how each story unfolds. How does the author make the story more interesting and creative? How might you do this in your own fiction?

During 3rd period, it's work time. Please leave your safe groups and return to your cold, cold desks. There I want you to write a 500 words short story. Your topic can be anything. Consider the stories you just read, and let your mind and imagination play.

HOMEWORK: None, unless you didn't complete your assignment. 500 word short story. Get to it!

Wednesday, March 6, 2013

Hint Fiction Project & The 500 Word Story

  • 1. Get together in the following groups: Group Z: Izzy, Saisha, Mitchell, Aleah     Group Y: Tyshay, Tyshon, Austin, Jaymee, Yasmine; Group X: Jacob, Radezia, Grace, Karla, Justice.
  • Once in your groups, read your work together. Offer feedback to one another. Then together as a group, select the best 4 hint fiction pieces from each author.
  • 2. Using the program PAGES, please complete the following assignment:
  • From the TEMPLATES menu, choose CARDS and INVITATIONS under PAGE LAYOUT.
  • Choose one of the POSTCARD options (Only!). Each author may choose his/her own template option.
  • Each story you wrote will have a picture or graphic on the front side (one for each story) that appropriately depicts or goes with the theme or tone of your story. (No text is needed on the front of the card, so you can delete the text box. Click on it, then delete.) Find IMAGES from GOOGLE IMAGES or your own photography.
  • On the BACK of the card (where the address information would normally go) please type your 25 word or less hint fiction story on the back. Be sure to include your title AND your name on each one. You do NOT need to include your address. Remove this text. You may change the FONT to something you like that is legible and appropriate for your design, but you should not have more than one card per story. Make sure each story is aligned with the right picture.
  • When you have typed up all four stories on the template, check your grammar and spelling. Make sure there are no errors, then print out your work and hand in. DO NOT FOLD your paper.
For help, see my mock-up.

Take a break between 3-4 period. Check out these websites!
HOMEWORK: Read at least 2 500 word stories.

Monday, March 4, 2013

Geva Playwriting Contest; Back to Hint Fiction

This morning, please take 10-15 minutes to prepare and send your 10-minute play script to Geva. The address is as follows:
youngwriters@gevatheatre.org

You should have a TITLE PAGE with your name, address, phone #, school name, grade, and email address in the lower left or right hand corner. On your title page, please include your cast requirements (characters, and a short 1-sentence description of the character, if possible).

Please print out ONE copy of your play scripts for Ms. Perez and me. We'd like to read them and give you credit for writing!

Hint Fiction Bonanza!

Lab work: Please write between 5-10 Hint Fiction pieces (that's a total of 250 words, if you maxed it all out). You may select some of these stories from those you wrote in your journal or from the last few classes. Take the first period to write a few (after you've completed the play thing...) You will need these drafts before going on to the following steps:
  • 1. Get together in the following groups: Group Z: Izzy, Saisha, Mitchell, Aleah     Group Y: Tyshay, Tyshon, Austin, Jaymee, Yasmine; Group X: Jacob, Radezia, Grace, Karla, Justice.
  • Once in your groups, read your work together. Offer feedback to one another. Then together as a group, select the best 4 hint fiction pieces from each author.
  • 2. Using the program PAGES, please complete the following assignment:
  • From the TEMPLATES menu, choose CARDS and INVITATIONS under PAGE LAYOUT.
  • Choose one of the POSTCARD options (Only!). Each author may choose his/her own template option.
  • Each story you wrote will have a picture or graphic on the front side (one for each story) that appropriately depicts or goes with the theme or tone of your story. (No text is needed on the front of the card, so you can delete the text box. Click on it, then delete.) Find IMAGES from GOOGLE IMAGES or your own photography.
  • On the BACK of the card (where the address information would normally go) please type your 25 word or less hint fiction story on the back. Be sure to include your title AND your name on each one. You do NOT need to include your address. Remove this text. You may change the FONT to something you like that is legible and appropriate for your design, but you should not have more than one card per story. Make sure each story is aligned with the right picture.
  • When you have typed up all four stories on the template, check your grammar and spelling. Make sure there are no errors, then print out your work and hand in. DO NOT FOLD your paper.
For help, see my mock-up.

If you finish early today or are waiting for your group members to finish up their scripts or writing hint fiction pieces, check out these websites!
HOMEWORK: None.

Friday, March 1, 2013

Play Prompts & Tips

--A 10-minute play is short. It is meant to be short. Usually, these are about 5-8 pages in length.
--Start your short play just before the climax of your story or plot.
--Give your protagonist a goal. What does this person want?
--Give your antagonist a goal. Why does this person want to stop the protagonist from getting what he/she wants?
--Give your protagonist's goal a time limit. This increases the suspense and conflict.
--Your conclusion or resolution of the play should be quick (probably not until the last few lines of the play).

Give your play a title and a short cast list.

PROMPTS:

Having trouble getting started? Try one of these to help get you out of sticky situation:
  • Start with the line: "I want..."
  • Start with a character in the middle of an action. Now interrupt that action with a second character. The second character is determined to accomplish a task that has nothing to do with the task the other character is trying to finish. Ex. A mother is cooking dinner, when daughter rushes in and needs comforting about the boyfriend she just broke up with. Mom wants to cook, Daughter wants to talk. Conflict.
  • If a character wins his or her goal, they may leave the stage. If the character does not win, keep that character on stage. 
  • If you get stuck, have a character talk about his/her past.
  • If you get stuck, have a character talk about his/her goal or desires.
  • If you get stuck, have a character talk about the future.
  • If you get stuck, have another character interrupt. 
  • If you get stuck, have another character enter and demand his/her goal is met immediately.

Thief of Always Test; Hint Fiction Tweet; Playwriting

Today, after our Thief of Always test, you should continue the following two writing exercises:

1. Continue writing your 10-minute play script for the Geva Playwriting Contest. This is due on Monday for Ms. Perez and me. We'll both give you a grade for it.
2. If you have a cell phone and a TWITTER account, please tweet one of your hint fiction pieces to a friend, family member, or acquaintance (follower). If you do not have a twitter account and cannot get one, use your email contacts to do the same thing.

You may return your Thief of Always books to the library.

HOMEWORK: None, unless you need to complete your play. (I believe Ms. Perez will be giving you time in class on Monday to complete your scripts as well...)

Tuesday, February 26, 2013

Hint Fiction; The Thief of Always Discussion #1

To start off, let's continue our examination of writing jobs. Spend the first 15 minutes of class today researching your chosen occupation. We'll share these at 10:00.

LAB WORK/RESEARCH: Select and sign up for one of the following occupations. Your job today in class is to use the internet to find out some information to report back to the class on these jobs. Find out:
A. What is the job? (Describe what the job entails or involves)
B. What is the median (average) salary for the job
C. What education and/or requirements are needed to get the job.
D. Anything else you found interesting about the job.
 The Thief of Always: Analysis

A Motif is a recurring or repeated object, image, or idea in a story. Throughout the book The Thief of Always several motifs are present. In small discussion groups this morning, please discuss the motifs and questions on the handout. As you prepare for our test on the book next class, please use the discussion questions to prepare for the type of questions that might be on the test.

Then, we will share in our discussion groups 3-5 of our hint fiction stories (the homework), select one story and either tweet this story to your contacts or email the story to friends/family members. Congratulations! You're "published."

Saturday, February 23, 2013

Welcome to Writing For Publication! & Hint Fiction

Okay, here we are finally. As I've mentioned before, we're going to shift gears this semester and talk about the publishing industry. The purpose of this course is to get young writers like yourself a little  more comfortable and aware of what a writer is. While we're doing this, we are also going to be playing around with various writing projects--many of which will teach you the ins and outs of publishing.

Let's start today with the following:
1. Five Top Tips for New Authors by Mindy Gibbins-Klein. We're going to spend a lot of time reading what various authors, publishers, and editors say about writing. That's part of our curriculum, so read that article, answer: what are the 5 tips this author gives you, and write these tips in your journal. (By the way, the journal will be due on March 11, in two weeks).
2. What can you do with a writing degree?

You are living at an exciting time in writing history. Almost anyone can publish a book now-a-days, but being a writer may not be as glorious and profitable as you might think. While many people write for a living, very few make it to the big leagues of blockbuster bestselling novelists, just like not every rapper or basketball player becomes a pro. But don't stress out yet. The skill of writing is an important one and many businesses are looking for people who can write.

According to the writers at QuinStreet, Inc., from their website WorldWideLearn, "Many different businesses and organizations are using newsletters and Internet websites more, and the advertising and public relations fields are also providing a steady demand for new writing professionals...Almost 25% of jobs for writers and editors are salaried positions with newspapers, magazines, and book publishers. Substantial numbers, mostly technical writers, work for computer software firms. Some writers develop publications and technical materials for government agencies or write for motion picture companies." So there's a lot more out there than poet or novelist.
LAB WORK/RESEARCH: Select and sign up for one of the following occupations. Your job today in class is to use the internet to find out some information to report back to the class on these jobs. Find out:
A. What is the job? (Describe what the job entails or involves)
B. What is the median (average) salary for the job
C. What education and/or requirements are needed to get the job.
D. Anything else you found interesting about the job.
By the end of period 3, please be prepared to share this information with the rest of the class. Some of the categories include: novelist, technical writer, journalist, reporter, copy editor, publisher, advertising/marketing, screenwriter/television writer, columnist, playwright, poet, lyricist (song writer), ghostwriter, press secretary, lawyer, communication manager, reviewer/critic, blogger, researcher, public relations, literary agent, freelance writer, etc.

If you finish early, take a look at any of these websites while you're waiting for classmates to finish. We'll report out in the beginning of period 4.

Top Ten Writing Rules Advice from Famous Writers
What does a publisher do?
How much will I make publishing a novel?

Then: WRITING TIME 
With the popular and frequent use of Twitter (read about tweeting here)...writers have turned to a specialized type of short, short, short story called: HINT FICTION
 
What is it? 
Hint fiction is defined as a story of 25 words or fewer that suggests a larger, more complex story.
Where does it come from & What are some examples?
Click here and read the article, particularly the examples.
See? Short, short stories in 25 words or less. The perfect byte size fiction for tweeting.
  • A famous example from Ernest Hemingway: hint fiction: "For Sale: Baby shoes--never worn." 
  • From science fiction writer Damon Knight: "The last man on Earth sat alone in a room. There was a knock on the door."
  • And even poetry: from Margaret Atwood: "You fit into me like a hook into an eye. A fish-hook. An open eye."
How do I start?

Step by Step Instructions:
  • 1. Read through the examples of hint fiction. It's always good to have a model. As you read, consider how you might write your own story. What might your story be about? How would it differ from the examples you are reading? Do you detect patterns forming in the work you're reading?
  • 2. Brainstorm (perhaps in your journal) a story. Include a beginning, middle, end. For example: write a three sentence story where each sentence is either the beginning, middle, or end of a story. Do a series of these, then pick your favorite ones. Since they're short, try a few. Keep writing!
  • 3. Just like a poem, create a creative title to clarify or make a point about theme or tone or character.
  • 4. Trim your story to the most essential parts. Remove all unnecessary words. This is tricky. Your story should be complete, but also hint at the larger story that does not need to be told. Be as specific with your diction as possible.
    5. Post your story on an index card. Put your name and title on the heading. Turn in at least one example of your hint fiction by the end of class today.
Robert Swartwood is the writer behind hint fiction. Take a look at his blog. We will be creating our own author's blogs soon, so his is a great example and model for your own project coming up.

HOMEWORK: Write 3-5 hint fiction stories. Bring these story drafts with you next class. Review, examine, and read Robert Swartwood's blog.

Please complete The Thief of Always (and journal exercises for the book) by Friday, March 1. There will be a quiz on the book's plot, characters, themes, and motifs.

Wednesday, February 13, 2013

Performances; The Thief of Always

Today, during period 3 we will perform our group performance poems. You will be graded on the following:
1. The poem (the strength of your writing, the use of imagery, etc.)
2. The performance (how well prepared the group is, how well executed the performance was)
3. The staging (how effective the blocking and staging of your piece was)
4. Your effort and creativity.
5. An evaluation by your group members.

When we have watched the performances, we will continue to read The Thief of Always together in class (starting with chapter 5).

HOMEWORK: Please finish reading The Thief of Always. Complete journal exercises for the book (keep this writing in your journals--I will be collecting journals in a few weeks).

Monday, February 11, 2013

Rehearsal & The Thief of Always

Please use period 3 to rehearse for your upcoming poetry performance next class. Your pieces (while not needed to be memorized, although you can memorize if you'd like) should be well rehearsed, polished, with the use of effective gestures, facial expressions, appropriate eye contact, volume, voice, and tone.

During period 4, please read chapter one of The Thief of Always together with the teacher. As you read, list at least three examples where the author uses imagery. Imagery, by the way, is not just useful in poetry--but prose as well. It is like a breath of fresh air to a suffocating penguin.

After reading chapter 1, please get into groups of 3-4 and continue your reading for the remainder of the period. You should complete chapters 1-4 by next class. Please turn in your imagery examples by the end of class.

HOMEWORK: Please complete chapters 1-4 in The Thief of Always. Feel free to try any of the journal exercises on the handout. Be prepared to perform your group poems next class.

The Graveyard Book - Discussion Questions

  In your discussion groups, please answer 5 of the 10 discussion questions. Choose a member of your group to record your answers. Make sure...