Tuesday, February 26, 2013

Hint Fiction; The Thief of Always Discussion #1

To start off, let's continue our examination of writing jobs. Spend the first 15 minutes of class today researching your chosen occupation. We'll share these at 10:00.

LAB WORK/RESEARCH: Select and sign up for one of the following occupations. Your job today in class is to use the internet to find out some information to report back to the class on these jobs. Find out:
A. What is the job? (Describe what the job entails or involves)
B. What is the median (average) salary for the job
C. What education and/or requirements are needed to get the job.
D. Anything else you found interesting about the job.
 The Thief of Always: Analysis

A Motif is a recurring or repeated object, image, or idea in a story. Throughout the book The Thief of Always several motifs are present. In small discussion groups this morning, please discuss the motifs and questions on the handout. As you prepare for our test on the book next class, please use the discussion questions to prepare for the type of questions that might be on the test.

Then, we will share in our discussion groups 3-5 of our hint fiction stories (the homework), select one story and either tweet this story to your contacts or email the story to friends/family members. Congratulations! You're "published."

Saturday, February 23, 2013

Welcome to Writing For Publication! & Hint Fiction

Okay, here we are finally. As I've mentioned before, we're going to shift gears this semester and talk about the publishing industry. The purpose of this course is to get young writers like yourself a little  more comfortable and aware of what a writer is. While we're doing this, we are also going to be playing around with various writing projects--many of which will teach you the ins and outs of publishing.

Let's start today with the following:
1. Five Top Tips for New Authors by Mindy Gibbins-Klein. We're going to spend a lot of time reading what various authors, publishers, and editors say about writing. That's part of our curriculum, so read that article, answer: what are the 5 tips this author gives you, and write these tips in your journal. (By the way, the journal will be due on March 11, in two weeks).
2. What can you do with a writing degree?

You are living at an exciting time in writing history. Almost anyone can publish a book now-a-days, but being a writer may not be as glorious and profitable as you might think. While many people write for a living, very few make it to the big leagues of blockbuster bestselling novelists, just like not every rapper or basketball player becomes a pro. But don't stress out yet. The skill of writing is an important one and many businesses are looking for people who can write.

According to the writers at QuinStreet, Inc., from their website WorldWideLearn, "Many different businesses and organizations are using newsletters and Internet websites more, and the advertising and public relations fields are also providing a steady demand for new writing professionals...Almost 25% of jobs for writers and editors are salaried positions with newspapers, magazines, and book publishers. Substantial numbers, mostly technical writers, work for computer software firms. Some writers develop publications and technical materials for government agencies or write for motion picture companies." So there's a lot more out there than poet or novelist.
LAB WORK/RESEARCH: Select and sign up for one of the following occupations. Your job today in class is to use the internet to find out some information to report back to the class on these jobs. Find out:
A. What is the job? (Describe what the job entails or involves)
B. What is the median (average) salary for the job
C. What education and/or requirements are needed to get the job.
D. Anything else you found interesting about the job.
By the end of period 3, please be prepared to share this information with the rest of the class. Some of the categories include: novelist, technical writer, journalist, reporter, copy editor, publisher, advertising/marketing, screenwriter/television writer, columnist, playwright, poet, lyricist (song writer), ghostwriter, press secretary, lawyer, communication manager, reviewer/critic, blogger, researcher, public relations, literary agent, freelance writer, etc.

If you finish early, take a look at any of these websites while you're waiting for classmates to finish. We'll report out in the beginning of period 4.

Top Ten Writing Rules Advice from Famous Writers
What does a publisher do?
How much will I make publishing a novel?

Then: WRITING TIME 
With the popular and frequent use of Twitter (read about tweeting here)...writers have turned to a specialized type of short, short, short story called: HINT FICTION
 
What is it? 
Hint fiction is defined as a story of 25 words or fewer that suggests a larger, more complex story.
Where does it come from & What are some examples?
Click here and read the article, particularly the examples.
See? Short, short stories in 25 words or less. The perfect byte size fiction for tweeting.
  • A famous example from Ernest Hemingway: hint fiction: "For Sale: Baby shoes--never worn." 
  • From science fiction writer Damon Knight: "The last man on Earth sat alone in a room. There was a knock on the door."
  • And even poetry: from Margaret Atwood: "You fit into me like a hook into an eye. A fish-hook. An open eye."
How do I start?

Step by Step Instructions:
  • 1. Read through the examples of hint fiction. It's always good to have a model. As you read, consider how you might write your own story. What might your story be about? How would it differ from the examples you are reading? Do you detect patterns forming in the work you're reading?
  • 2. Brainstorm (perhaps in your journal) a story. Include a beginning, middle, end. For example: write a three sentence story where each sentence is either the beginning, middle, or end of a story. Do a series of these, then pick your favorite ones. Since they're short, try a few. Keep writing!
  • 3. Just like a poem, create a creative title to clarify or make a point about theme or tone or character.
  • 4. Trim your story to the most essential parts. Remove all unnecessary words. This is tricky. Your story should be complete, but also hint at the larger story that does not need to be told. Be as specific with your diction as possible.
    5. Post your story on an index card. Put your name and title on the heading. Turn in at least one example of your hint fiction by the end of class today.
Robert Swartwood is the writer behind hint fiction. Take a look at his blog. We will be creating our own author's blogs soon, so his is a great example and model for your own project coming up.

HOMEWORK: Write 3-5 hint fiction stories. Bring these story drafts with you next class. Review, examine, and read Robert Swartwood's blog.

Please complete The Thief of Always (and journal exercises for the book) by Friday, March 1. There will be a quiz on the book's plot, characters, themes, and motifs.

Wednesday, February 13, 2013

Performances; The Thief of Always

Today, during period 3 we will perform our group performance poems. You will be graded on the following:
1. The poem (the strength of your writing, the use of imagery, etc.)
2. The performance (how well prepared the group is, how well executed the performance was)
3. The staging (how effective the blocking and staging of your piece was)
4. Your effort and creativity.
5. An evaluation by your group members.

When we have watched the performances, we will continue to read The Thief of Always together in class (starting with chapter 5).

HOMEWORK: Please finish reading The Thief of Always. Complete journal exercises for the book (keep this writing in your journals--I will be collecting journals in a few weeks).

Monday, February 11, 2013

Rehearsal & The Thief of Always

Please use period 3 to rehearse for your upcoming poetry performance next class. Your pieces (while not needed to be memorized, although you can memorize if you'd like) should be well rehearsed, polished, with the use of effective gestures, facial expressions, appropriate eye contact, volume, voice, and tone.

During period 4, please read chapter one of The Thief of Always together with the teacher. As you read, list at least three examples where the author uses imagery. Imagery, by the way, is not just useful in poetry--but prose as well. It is like a breath of fresh air to a suffocating penguin.

After reading chapter 1, please get into groups of 3-4 and continue your reading for the remainder of the period. You should complete chapters 1-4 by next class. Please turn in your imagery examples by the end of class.

HOMEWORK: Please complete chapters 1-4 in The Thief of Always. Feel free to try any of the journal exercises on the handout. Be prepared to perform your group poems next class.

Thursday, February 7, 2013

Performance Poetry Project, Rehearsal, & the Thief of Always

Following the directions from the posts below, please prepare and rehearse your performance poems. We will be performing these poem projects on Thursday of next week. By the end of class you should have a typed "script" for your poem and should have rehearsed your work.

Our next reading assignment will be the novel The Thief of Always by Clive Barker. We will aim to read the complete novel by the time we return from Feb. break. Today, during our second half of the period, please get the book from the library. When we return from the library, please move to room 238. We will spend some time with this book, reading the first chapter or two.

HOMEWORK: Read the first 4 chapters of the book.

Tuesday, February 5, 2013

Collaborative Poem (Day 2)

1. Get into groups of 2, 3, or 4. No one should work alone for this project.

2. After you have chosen your groups, gather together and decide on a topic or theme for your poem. As most collaborative slam poetry, it might be easiest to agree on a political or social problem that you are all concerned with. 
To gather ideas, each person in the group should suggest a topic, write down the topic, then go around the circle adding other options. After you have gone around a few times (and everyone has at least contributed two ideas) look at the list and agree on a topic.
Go no further than this step. Your group should FIRST agree with the topic. When you have decided, go on to step #3.

3. The rules:
A. All group members must speak. Your tone can shift from one PERSONA to the next.
B. All group members must contribute to the poem in some significant way. You will evaluate each other at the end of this process.
C. Help each other. Suggest revisions, give each other advise about performance, etc.
D. Include gestures and "blocking" for your performance. Mark up and score your "scripts."
You may find it helpful to first come up with a REFRAIN (a response line or choral line): a repeated line that all group members recite together or at different times to cue your group members as to where you are in the poem. Write the draft of the poem together first. Once you have a draft, print out enough copies for each of your members, then gather to practice and block the performance.

Begin your writing of the first draft. By the end of class today you should have your poem written. If you have written your first draft, please turn in a copy, keep copies for your group members, and begin rehearsing the poem.
HOMEWORK: Please read the poems in the packet given to you in class. For each poem, identify the TONE. Write the tone down on a slip of paper and hand in for next class. If you did not finish your poem in class, it is late and you should complete it for homework.

Friday, February 1, 2013

The Collaborative Poem Project

If anyone would like to recite or read one of their original poems, please do so. We'll take a few minutes at the beginning of class to share our work so far with the class. 

The Collaborative Poem

Watch these video performances. As you watch, please notice the poets' use of imagery, creativity on a selected topic, relevance, and, of course, performance techniques and skills. Jot down your ideas on the sheet provided (to turn in by the end of class today):
1. Get into groups of 2, 3, or 4. No one should work alone for this project.

2. After you have chosen your groups, gather together and decide on a topic or theme for your poem. As most collaborative slam poetry, it might be easiest to agree on a political or social problem that you are all concerned with. 
To gather ideas, each person in the group should suggest a topic, write down the topic, then go around the circle adding other options. After you have gone around a few times (and everyone has at least contributed two ideas) look at the list and agree on a topic.
Go no further than this step. Your group should FIRST agree with the topic. When you have decided, go on to step #3.

3. The rules:
A. All group members must speak. Your tone can shift from one PERSONA to the next.
B. All group members must contribute to the poem in some significant way. You will evaluate each other at the end of this process.
C. Help each other. Suggest revisions, give each other advise about performance, etc.
D. Include gestures and "blocking" for your performance. Mark up and score your "scripts."
You may find it helpful to first come up with a REFRAIN (a response line or choral line): a repeated line that all group members recite together or at different times to cue your group members as to where you are in the poem. Write the draft of the poem together first. Once you have a draft, print out enough copies for each of your members, then gather to practice and block the performance.

This project is not yet due. You should pick your groups, decide on a topic, and begin your writing of the first draft by the end of class. More to follow.

HOMEWORK: Please read the poems in the packet given to you in class. For each poem, identify the TONE. Write the tone down on a slip of paper and hand in for next class.

Thursday, January 31, 2013

More Slam

Please read "First Period" and "Before I Read This Poem" on your own and highlight or mark the IMAGERY in the poem. IMAGERY is simile, metaphor, figurative language, personification, allusion, symbol. I will collect your packet at the end of class today. You will need it for Taylor Mali.

Taylor Mali
From your packet (please read along as we watch):
Derrick Brown
"A Finger, Two Dots, Then Me"
"Meat Loaf"
"Cotton in the Air"

Noah St. John
"Snap Judgement"

LAB: Please make a list or web map of a topic that makes you: happy, sad, frustrated, angry, insane, pissed-off, etc. Choose a topic you care about. Write that in the center of your journal page.

Now, list associative words and phrases or examples that connect to your central idea.

When you complete your web, use it to write a slam poem today. Try to finish writing a poem by the end of class today. If you do not finish, please complete your poem for next class as homework.

HOMEWORK: Please complete your slam poem draft (slam poem #2 or whatever) for next class.

Monday, January 28, 2013

Slam Poetry

Brainstorming: Start with your journal. Make a list of things you believe, things that make you mad, or things that you feel go unnoticed by others, things that are important to you. Write for 5 minutes. Try to fill a page or two.

Now, look over your list and choose the topic that you feel may be the most interesting to an audience. Write a poem based on this chosen idea. This will be a first draft.

When you complete your draft, please watch the following poetry slam performances:

Saul Williams

Jessica Care Moore
CLASSWORK: For each poet, please write your reaction to their performances, identify some of the key themes and messages or morals that the authors present to us (what is their poetry trying to teach us?) Use the index card given to you to record your reaction/observations. Turn the card in at the end of class for credit.

CLASSWORK: Write a slam poem. By the end of class today, you should have a slam poem draft written.

HOMEWORK: Write a second poem (your choice) in your journal in the quiet of your house. Topic can be anything. Remember to use IMAGERY! Bring this draft with you to our next class.

Thursday, January 17, 2013

Portfolios & Slam Poetry

Please complete your portfolio. It is due at the end of class today. Also, please correct and improve your Black History poem and turn in the new version by the end of class.

To IMPROVE your poetry, you all need to use IMAGERY. Imagery is the backbone of contemporary poetry. Without it, a poem often fails.

But what is it?
IMAGERY: Is the careful use of vivid or figurative language (metaphors, similes, personification, allusion, etc.) to represent objects, actions, or ideas that are otherwise abstract (love, death, sorrow, freedom, etc.) This representation is often VISUAL, for it helps create a picture in a listener or reader's mind. The only way to create a visual picture is to be specific with your noun usage.

Imagery can also be auditory (sound) with the use of alliteration, assonance, consonance, and other techniques like rhyme and rhythm.
Please examine some examples of imagery:
  • On a starry winter night in Portugal, where the ocean kissed the southern shore...
Descriptive words: starry, winter, southern
Specific NOUNS: night, Portugal, ocean, shore
Personification: ocean kissed the southern shore... 

More examples (similes):
  • He fumed and charged like an angry bull.
  • He fell like an old tree falling down in a storm.
And another example (metaphor):
  • Her blue eyes were the sky in summer.
Examples of figurative language and allusion.

NOTE: YOU MUST USE IMAGERY IN YOUR POETRY! Otherwise it may be terrible as an Egyptian plague. Imagery is a tool. Use it!

A Brief Guide to Slam Poetry

Taken from Poets.org.
"One of the most vital and energetic movements in poetry during the 1990s, slam has revitalized interest in poetry performance. Poetry began as part of an oral tradition, and movements like the Beats and the poets of Negritude were devoted to the spoken and performed aspects of their poems. This interest was reborn through the rise of poetry slams across America; while many poets in academia found fault with the movement, slam was well received among young poets and poets of diverse backgrounds as a democratizing force. This generation of spoken word poetry is often highly politicized, drawing upon racial, economic, and gender injustices as well as current events for subject manner.

A slam itself is simply a poetry competition in which poets perform original work alone or in teams before an audience, which serves as judge. The work is judged as much on the manner and enthusiasm of its performance as its content or style, and many slam poems are not intended to be read silently from the page. The structure of the traditional slam was started by construction worker and poet Marc Smith in 1986 at a reading series in a Chicago jazz club. The competition quickly spread across the country, finding a notable home in New York City at the Nuyorican Poets Café."
Please view these examples of slam poems being performed from the Slam Poetry Nationals:
Poem #1
Poem #2
Poem #3
Poem #4

Slam Poetry often uses topics or themes that are politically or emotionally charged. Slam poets often write with a social comment to make or share with an audience.

How can you be a poet for social change?

Brainstorming: Start with your journal. Make a list of things you believe, things that make you mad, or things that you feel go unnoticed by others, things that are important to you. Write for 5 minutes. Try to fill a page or two.

Now, look over your list and choose the topic that you feel may be the most interesting to an audience. Write a poem based on this chosen idea. This will be a first draft.

Finished early? Write a second poem. Go back to your first poem draft and add imagery (metaphor, personification, simile, symbol, figurative language, allusion, etc.)

HOMEWORK: None. Feel free to write a poem a day in your journal. The more you write, the better you'll get at writing poetry. You can also keep writing plays or stories in your journal as well. Enjoy your week off, but take some time to write or read...

Sunday, January 13, 2013

Poem Draft Due; Portfolio & Final Exam

Use class time today to complete the following tasks:

1. Write your black history poem draft (see 1/5, 1/7 posts below): Due today!
2. Prepare your portfolio.
3. Study for your mid-term exam
Your portfolio is due Friday, Jan. 18. In your portfolio you should collect all the writing you have done this year so far in BOTH Ms. Perez' and my classes. This bullet list will help remind you of some of the work we have done.

  • Fictional interview story (9/9 & 9/11)
  • Fantasy story (9/19-9/21)
  • Informational Speech Text (non-fiction) (10/1-10/8)
  • Internal monologue poem (10/15)
  • Word spill poem (10/23)
  • One-minute play script (11/19)
  • 10-minute script (12/11-12/19)
  • Black History Poem draft (1/5, 1/7)
Wednesday, Jan. 16, we will take our final exam for Performance, Word & Text. You should refer to the following list of terms, vocabulary, and writing materials to study for the exam.

You should know the following terms/concepts:
  • Communication
  • Conversation
  • Ways in which humans communicate and reasons why humans communicate (9/5)
  • Short Story History and form (9/12)
  • Types of Speech Communication (9/13)
  • Interpersonal and intrapersonal communication (9/13)
  • J.K. Rowling & The Tales of Beedle the Bard (9/13-9/20)
  • The Communication Process (9/17)
  • Sender, Receiver, Encoding, Decoding
  • Poets: Dorianne LauxNin Andrews, Lucille Clifton (9/17)
  • Fantasy genre (High (epic) fantasy, Sword & Sorcery, Alternative History, Steampunk, Urban fantasy, Dark fantasy, Lovecraftian fantasy, etc. (9/19)
  • Realism (9/19-9/21)
  • Fantasy authors: J.R.R. Tolkein, Edgar Rice Burroughs, Robert E. Howard (9/28)
  • Listening versus Hearing (10/1)
  • Barriers to listening effectively (10/1)
  • Effective speech writing (10/3)
  • Introduction, body, conclusion; Logos, ethos, pathos (10/3)
  • Tips on delivering a speech (10/3)
  • Speaker (persona), 1st person, 3rd person POV, internal monologue (10/15-10/16)
  • Spoon River & Edgar Lee Masters (10/23-10/30)
  • Voice, persona, denotation, connotation, understatement, euphemism, rhetorical strategies, diction, tone (10/25 & 10/29 (tone))
  • Effective performance tips (11/1)
  • David Ives & short plays: Sure Thing, Variations on the Death of Trotsky, Universal Language, The Philadelphia (11/25-11/27)
  • Paul Zindel: The Effect of Gamma Rays...Marigolds (11/29)
  • August Wilson: Fences (12/4-12/11)
  • The Civil Rights Movement (12/5)
  • Characterization & Play writing tips (12/5)
  • Revising plays (1/1-1/5)
Please print out your black history poem draft (or send to me through email: bradley.craddock@rcsdk12.org if the printer is out of ink.)

The Graveyard Book - Discussion Questions

  In your discussion groups, please answer 5 of the 10 discussion questions. Choose a member of your group to record your answers. Make sure...